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Data Capture

Converting analogue information into raw digital data (digitisation). Examples include the recognition of printed text, geophysical surveying or digital photography.

See the tabs in the box at the bottom for a list of People and Projects using this category of method at Oxford. The category comprises the subheadings below; click on the expand button next to each one to see a list of detailed methods, with definitions taken from arts-humanities.net. The links on each individual method take you to the national list of related projects there.

Use of existing digital data : Refers to the usage of data that already exists in digital form. This can include any type of digital media, such as text, images, sound or video. Digital data may be reused to gain new meaning, and present it to a different audience. There are many d
2d Scanning and photography : The exact method of 2D scanning or photography to use depends largely on the subject of the image. Sometimes the two methods can be used interchangeably to achieve similar results. The main difference is that 2D scanning involves capturing the image gr
3d Scanning : 3D scanning refers to data captured by means of a three-dimensional scanner. A 3D scanner is a device that analyses a real-world object or environment to collect data on its shape and possibly its appearance (e.g. colour, <a href="http://www.arts-human

Refers to the capture of data on an object's or person’s movement and translating this onto a digital model.

Heads-up digitising and Interactive tracing : Heads-up digitisation and interactive tracing.</em> Heads-up digitisation, or on-screen digitisation, is a very commonly used method of digitisation. It is similar to manual digitisation except that the base map or image is already in a digital <a href
Moving image capture : Moving image capture refers to data captured by means of digital video cameras, webcams and TV cards. The essential parameters of any moving image sequence as a visual presentation are: presence or absence of colour, aspect ratio, resolution and image
Geophysical survey : Refers to data capture by means of geophysical methods for <a href="http://www.arts-humanities.net/data_analysis/spatial_data_analysis">spat... studies. In archaeology, this most often refers to ground-based physical <a href="http://www.arts-humaniti
GPS and total station surveys : Refers to the capture of spatial information by means of GPS (Global Positioning Systems) or Total Station equipment, which is often used in archaeological field surveys and map-making.

Acquiring information about an object or phenomenon, by using equipment that is either wireless, or not in physical contact with the object or phenomenon itself. This data is then processed and analysed using computer software, known as a remote sensi

Music recognition : Music recognition is a type of MIR (Music Information <a href="http://www.arts-humanities.net/data_analysis/content_based_sound_retriev... ), the interdisciplinary science of retrieving information from music.
Sound generation : The term ‘sound generation’ refers to the production of sound by means of digital instruments.
Sound recording : Sound recording is an electrical or mechanical inscription and re-creation of sound waves, such as spoken voice, singing, instrumental music, or sound effects. The two main classes of sound recording technology are 'analogue recording' and 'digital re
Speech recognition : Refers to the conversion of spoken words and phrases into text. Speech recognition software (also known as automatic speech recognition or computer speech recognition) converts spoken words to machine-readable input.
Manual input and transcription : Transcription is the conversion of spoken into written words, or of handwriting or a photograph of text into pure text. Additionally, the term can apply to the conversion of a written source into another medium, such as <a href="http://www.arts-humanit
Text recognition : Text recognition is also known as OCR (Optical Character Recognition). This term refers to the conversion of <a href="http://www.arts-humanities.net/practice_led_research/2d_scanning">scanne... images of handwritten, typewritten or printed text (usuall
Projects (165)
The Relational Museum Pitt Rivers Museum Haas Ezzet
The reuniting of Osip Mandelstam's texts and archives in digital form Medieval & Modern Languages Faculty Jennifer Baines
The Shakespeare Quartos Archive Bodleian Digital Library Systems & Services Judith Siefring
The Tibet Album: British photography in Central Tibet 1920-1950 Pitt Rivers Museum Haas Ezzet
The Venetian Book-trade in the 15th Century: material evidence for the economic and social history of the Renaissance Italian Cristina Dondi
The Wandering Jew's Chronicle Digitisation Project Bodleian Libraries Research & Learning Services Giles Bergel
The World of Art on the Semantic Web (CLAROS) Oxford e-Research Centre Paul Groves
Thomas Gray Archive Bodleian Digital Library Systems & Services Alexander Huber
TileWeb: Paving-Tile Watercolours Online Ashmolean Museum
Transforming Musicology Oxford e-Research Centre Kevin Page
Transits of Venus History of Science Museum Joseph Talbot
Tudor Partbooks: the manuscript legacies of John Sadler, John Baldwin and their antecedents Music Faculty Julia Craig-McFeely
Tutankhamun: Anatomy of an Excavation Griffith Institute Jaromir Malek
Understanding Indonesian: developing a machine-usable grammar, dictionary and corpus Linguistics, Philology & Phonetics Faculty Mary Dalrymple
Universal Leonardo History Faculty Martin Kemp
Using Web Archives: A Futures Perspective Oxford Internet Institute Eric Meyer
Verb semantics and argument realization in pre-modern Japanese: A comprehensive study of the basic syntax of pre-modern Japanese Oriental Studies Faculty Bjarke Frellesvig
Victorian Social Reform: A Bibliography of the Published Papers of the Social Science Association 1857-86 History Faculty Lawrence Goldman
Vindolanda Tablets Online Ancient History Henriette Roued-Cunliffe
Watercolours of Egypt made by Hector Horeau in 1838, now in the Archive of the Griffith Institute Griffith Institute Jaromir Malek

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People (162)
Silja Spranger DPhil student Classical Archaeology
Simon Charles Bodleian Libraries Research & Learning Services
Stephen Bernard Lecturer, University College University College
Stuart Lee Deputy CIO, IT Services; Reader in E-learning and Digital Libraries; Member of the English Faculty IT Services
Sukanta Chaudhuri Visiting Fellow All Souls College
Sumita Mukherjee English Faculty
Susan Thomas Head of Archives and Modern Manuscripts, Bodleian Libraries Special Collections
Susan Walker Keeper, Department of Antiquities, Ashmolean Museum Ashmolean Museum
Suzanne Romaine Merton Professor of English Language English Faculty
Ségolène Tarte Research Fellow Oxford e-Research Centre
Thomas Corsten co-editor, Lexicon of Greek Personal Names Ancient History
Thomas Mannack Chief Researcher (Pottery Database) Classics Faculty
Tobias Reinhardt Classics Faculty
Tony Harris Imaging Scientist/Medieval Scholar English Faculty
Ulrich Gehn Researcher Classical Archaeology
Victoria Brown Visual Resources Curator History of Art
Vincent Razanajao Editor of the Topographical Bibliography and Keeper of the Archive Griffith Institute
Volker Heuchert Collections Manager, Heberden Coin Room, Member of the Department of Classics Ashmolean Museum
William Poole English Faculty
Yvonne Harpur Adjunct Research Fellow / Dr Linacre College

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