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Data Capture

Converting analogue information into raw digital data (digitisation). Examples include the recognition of printed text, geophysical surveying or digital photography.

See the tabs in the box at the bottom for a list of People and Projects using this category of method at Oxford. The category comprises the subheadings below; click on the expand button next to each one to see a list of detailed methods, with definitions taken from arts-humanities.net. The links on each individual method take you to the national list of related projects there.

Use of existing digital data : Refers to the usage of data that already exists in digital form. This can include any type of digital media, such as text, images, sound or video. Digital data may be reused to gain new meaning, and present it to a different audience. There are many d
2d Scanning and photography : The exact method of 2D scanning or photography to use depends largely on the subject of the image. Sometimes the two methods can be used interchangeably to achieve similar results. The main difference is that 2D scanning involves capturing the image gr
3d Scanning : 3D scanning refers to data captured by means of a three-dimensional scanner. A 3D scanner is a device that analyses a real-world object or environment to collect data on its shape and possibly its appearance (e.g. colour, <a href="http://www.arts-human

Refers to the capture of data on an object's or person’s movement and translating this onto a digital model.

Heads-up digitising and Interactive tracing : Heads-up digitisation and interactive tracing.</em> Heads-up digitisation, or on-screen digitisation, is a very commonly used method of digitisation. It is similar to manual digitisation except that the base map or image is already in a digital <a href
Moving image capture : Moving image capture refers to data captured by means of digital video cameras, webcams and TV cards. The essential parameters of any moving image sequence as a visual presentation are: presence or absence of colour, aspect ratio, resolution and image
Geophysical survey : Refers to data capture by means of geophysical methods for <a href="http://www.arts-humanities.net/data_analysis/spatial_data_analysis">spat... studies. In archaeology, this most often refers to ground-based physical <a href="http://www.arts-humaniti
GPS and total station surveys : Refers to the capture of spatial information by means of GPS (Global Positioning Systems) or Total Station equipment, which is often used in archaeological field surveys and map-making.

Acquiring information about an object or phenomenon, by using equipment that is either wireless, or not in physical contact with the object or phenomenon itself. This data is then processed and analysed using computer software, known as a remote sensi

Music recognition : Music recognition is a type of MIR (Music Information <a href="http://www.arts-humanities.net/data_analysis/content_based_sound_retriev... ), the interdisciplinary science of retrieving information from music.
Sound generation : The term ‘sound generation’ refers to the production of sound by means of digital instruments.
Sound recording : Sound recording is an electrical or mechanical inscription and re-creation of sound waves, such as spoken voice, singing, instrumental music, or sound effects. The two main classes of sound recording technology are 'analogue recording' and 'digital re
Speech recognition : Refers to the conversion of spoken words and phrases into text. Speech recognition software (also known as automatic speech recognition or computer speech recognition) converts spoken words to machine-readable input.
Manual input and transcription : Transcription is the conversion of spoken into written words, or of handwriting or a photograph of text into pure text. Additionally, the term can apply to the conversion of a written source into another medium, such as <a href="http://www.arts-humanit
Text recognition : Text recognition is also known as OCR (Optical Character Recognition). This term refers to the conversion of <a href="http://www.arts-humanities.net/practice_led_research/2d_scanning">scanne... images of handwritten, typewritten or printed text (usuall
Projects (88)
A New Edition of Leonardo's Codex Leicester for Bill Gates Trinity College Martin Kemp
A Web-Based Teaching Course on Islamic Ceramics Ashmolean Museum Jonathan Moffett
Ancient Cyprus in the Ashmolean Museum Ashmolean Museum Alison Roberts
Anglo-Saxon Discovery Ashmolean Museum
Archives and Artefacts: Exploring the past through the work of E.T. Leeds and A2A Ashmolean Museum
Artefact Pitt Rivers Museum Haas Ezzet
Ashmolean Museum Collections Management System Ashmolean Museum Nick Mayhew
Beazley Archive Online Databases Classical Archaeology
Blockbooks Bodleian Libraries Research & Learning Services Neil Jefferies
Bodleian Library Broadside Ballads Bodleian Libraries Research & Learning Services
Body Arts at the Pitt Rivers Museum Pitt Rivers Museum Haas Ezzet
Book of Curiosities: An early 11th-century Arabic cosmography Oriental Studies Faculty Jeremy Johns
British Archaeology at the Ashmolean Museum: Rationalisation and Enhancement of the Historic Collections Ashmolean Museum Alison Roberts
Building a Virtual Research Environment for the Humanities (BVREH) Oxford e-Research Centre David Robey
Burgon Archive Project Ashmolean Museum Alison Roberts
Centre for Anthropology and Photography Pitt Rivers Museum Christopher Morton
Centre for the Study of Early Music (CSEM) Music Faculty Julia Craig-McFeely
Congo Journey Pitt Rivers Museum Haas Ezzet
Corpus Vasorum Antiquorum Online Classical Archaeology Peter Stewart
Curse Tablets of Roman Britain Classical Archaeology Roger Tomlin

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People (21)
Annette Peach History Faculty
Charles Crowther University Research Lecturer Ancient History
Christine Madsen Head of Digital Programmes Bodleian Libraries Central Services and Administration
Christopher Morton Head of Photograph and Manuscript Collections Pitt Rivers Museum
David Howell Head of Heritage Science, Bodleian Libraries Collection Care & Conservation Services
Elizabeth Fleming Griffith Institute
Francesca Issatt Visual Resources Assistant History of Art
Gary Lock Professor of Archaeology Archaeology Institute
Geraldine Johnson Associate Professor in History of Art History of Art
Giles Bergel Digital Humanites Research Officer, Faculty of Engineering Science Engineering Science
Jenni Navratil Griffith Institute
Jerome Mairat eCurator Ashmolean Museum
John Pilbeam Web/Digital Officer, Sainsbury Library Said Business School Library
Jonathan Moffett IT Manager, Gardens & Museums IT Ashmolean Museum
Julia Craig-McFeely Research Fellow Music Faculty
Malcolm Osman Pitt Rivers Museum
Michael Popham Head of Digital Collections & Preservation, BDLSS, Bodleian Libraries Bodleian Digital Library Systems & Services
Peter Stewart Director, Classical Art Research Centre and the Beazley Archive Classical Archaeology
Sarah Thomas Bodleian Libraries Central Services and Administration
Ségolène Tarte Research Fellow Oxford e-Research Centre

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