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Digital Humanities @ Oxford

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  • People & Projects
  • News & Events
    • Upcoming Events
      • Introduction to Digital Humanities
    • Past Events
      • "Will you play upon this"? Designing auditory displays for Early Modern drama
      • #SocialHumanities Datahack: Self-(Re)presentations on Social Media
      • A Linked Open World: Alexander the Great, Transnational Heritage and the Semantic Web
      • A Workflow for Online and Printed Catalogues of Compositions: Technical Approach and Conceptual Challenges
      • AHRC Network - Digital Cultural Heritage China
      • An Introduction to the Text Encoding Initiative
      • Analysing Text and Image in Early-Modern Architectural Treatises using Machine Learning
      • Are the Humanities More Digital than the Sciences?
      • Artificial Intelligence in the World of Languages
      • BNCWeb – exploring a corpus of late twentieth century English
      • Big Data and History of Knowledge: Virtual Reconstructions and Enhanced Publications as interfaces to research, education
      • Blogging and digital scholarship - a forum
      • Bodleian Libraries Research Skills Toolkit - Humanities
      • Bodleian iSkills: Open Access Oxford - what's happening?
      • Bringing People Together: Standards for Networking Ancient Prosopographies (SNAP:DRGN)
      • CIDOC CRM Mapping workshop for humanities scholars and cultural heritage professionals
      • CQPweb – exploring a range of corpora
      • CRITICAL VISUALIZATION NETWORK LAUNCH
      • Connected Life 2016: Collective Action and the Internet
      • Contemporary Political History in the Digital Age
      • Creating 21st Century Infrastructure for Digital Humanities Scholars at Oxford
      • Critical Visualisation Symposium
      • Critical Visualization Conclusions workshop
      • Critical Visualization lunchtime talks
      • Cross-cultural Music Mood Recognition
      • Crowdsourcing for impact - a forum
      • DIGITAL HUMANITIES, MUSEUMS AND COLLECTIONS, AND PUBLISHING: A WORKSHOP
      • Data visualisation: Creating interactive visualisations using R and Shiny
      • Data visualisation: Data analysis and interactive visualisations with Mathematica
      • Data: Challenges in dealing with very large collections of speech
      • Data: Reproducible Research - Statistical Analysis with R using RStudio, GitHub and Shiny
      • Data: The Yin and Yang of data management
      • Data: Trunk to tail - linking ElEPHãTs through the Semantic Web
      • Databases: An introduction to Oxford's Online Research Database Service(ORDS)
      • Digital Cultural Heritage India
      • Digital Hermeneutics and Cross Platform Research: Walking to the Theatre in Shakespeare’s London
      • Digital Humanities Breakfast
      • Digital Humanities Breakfast
      • Digital Humanities Data Carpentry [2] workshop
      • Digital Humanities Graduate Research Seminar
      • Digital Humanities Graduate Research Seminar
      • Digital Humanities Graduate Research Seminar
      • Digital Humanities Lunch
      • Digital Humanities Training: Interactive fiction writing workshop
      • Digital Humanities Training: Pipedream to Project: Planning digital research projects in the humanities
      • Digital Humanities Training: Would you like to set up a crowdsourcing project?
      • Digital Humanities at Oxford Summer School
      • Digital Humanities at Oxford Summer School 2016
      • Digital Knowledge and Culture research cluster talk: Web Historiography and Digital Humanities
      • Digital Manuscripts at the Bodleian Libraries
      • Digital Methods: Visual Analytics Series - Every Thursday between 23 June and 8 December 2016
      • Digital Methods—How to make a digital edition: an introduction to the Text Encoding Initiative
      • Digital Research with OUP Data
      • Digital Restoration for Beginners: Is this for me and how would I get started?
      • Digital Scholarship and ORA Drop-ins and Coffee Afternoons - Centre for Digital Scholarship
      • Digital Transformations
      • Digitally Reconstructing Tudor Music Manuscripts: A Public Open Weekend
      • Digitally Reconstructing Tudor Music Manuscripts: A Public Open Weekend
      • Digitizing the Stage: Rethinking the Early Modern Theatre Archive
      • Discursive networks about youth in the late Soviet Union
      • Doing (very) contemporary history with the archived Web: Rowan Williams, archbishop of Canterbury, ...
      • Don't Waste Space: how GIS can aid Digital Humanities research
      • Encoding Music and Text
      • Everyday Sexism Datahack
      • Everyday Sexism Datahack
      • Exploring modern European languages with CLARIN
      • Exploring spoken word data in oral history archives
      • From card to computer: a Bodleian catalogue and Early Modern Letters Online
      • Fundraising through Digital: how clicktivists, slacktivists and hacktivists are helping us beat cancer sooner
      • Historiography at Scale: People, Places, and Professions in the Oxford Dictionary of National Biography
      • Immersive Technologies Summer School 2019
      • Immersive Technologies, Destination Oxford: a taste of Virtual Reality and Augmented Reality for newbies, veterans and futurists
      • Impact through Online Presence: Tools and Strategies for the Humanities

      • Introducing the International Image Interoperability Framework (IIIF)
      • Introduction to Crowdsourcing
      • Introduction to Crowdsourcing in the Arts and Humanities
      • Introduction to Digital Humanities
      • Is Digital Cultural Heritage more elitist than democratic?
      • Knowledge Machines: Digital Transformations of the Sciences and Humanities
      • Learning Inconsistent Systems and Language Change
      • Life-Writing in the Digital Age
      • Linked Art: Networking Digital Collections and Scholarship
      • Linked Data - Digital Humanities Training workshop
      • Linked Music Hackathon
      • Maker fayre: engaging audiences with Early English data
      • Making the Material Digital: Approaching Special Collections through Image and Text
      • Making the most of digitized books and manuscripts: a free IIIF workshop
      • Mixing it up: Understanding and using mixed methods research in social sciences
      • Music encoding as an interpretation process: Are there any traditions?
      • Negotiating the Archive(s) of UK Web Space
      • ORA workshop: discovery and digital curation of scholarly output
      • Online Presence: Raising your academic profile
      • Oxford Artistic and Practice Based Research Platform
      • Oxford-Illinois Digital Libraries Placement Programme - Project Presentations
      • Pipedream to Project: planning digital research projects in the humanities
      • REF, impact and Open Educational Resources
      • Reborn Digital: text, transmission, and technology
      • Reproducible Research Oxford Software Carpentry bootcamp
      • Research Seminar—Digital representations of manuscript provenance: reconstructing the history of the Phillipps collection
      • Research Seminar—Songs of Data: An introduction to sonification
      • Research Skills Toolkit for Humanities Division
      • Research Uncovered: Alistair Paterson on Visualizing Australian Rock Art and Archaeological Heritage
      • Research Uncovered—A Linked Open Data Buddhist Text Archive
      • Research Uncovered—A rock and a hard place: creating the Online Corpus of Inscriptions of Ancient North Arabia
      • Research Uncovered—Andrew Hankinson on searchable music notation
      • Research Uncovered—CabiNET: Integrating Text and Object in Oxford Teaching
      • Research Uncovered—Christine Borgman on Data, Scholarship, and Libraries
      • Research Uncovered—Crowdsourcing and Humanities Research
      • Research Uncovered—David De Roure on Ada Lovelace, Numbers, and Notes
      • Research Uncovered—Digital Humanities: Ferment in the Field
      • Research Uncovered—Digital Wildfires: the challenge of provocative content on social media
      • Research Uncovered—Digitization for Research at the Bodleian: Creating Tools for Active Scholarship
      • Research Uncovered—Fostering ‘the gift of confidence’ for women in the electronic music scene
      • Research Uncovered—Joanna Bullivant on the Delius Catalogue of Works
      • Research Uncovered—Julia Craig-McFeely on Exultation and Despondency: the digital reconstruction of Tudor Partbooks
      • Research Uncovered—Martin Maiden on digitizing meningitis: thirty years of sequencing the meningococcus
      • Research Uncovered—Neil Jefferies on Framing Digital Objects within Context and Provenance
      • Research Uncovered—William Allen on visualizing UK immigration for and with non-academics
      • Research data management planning: An introduction for researchers
      • SEAHA Conference
      • SEAHA Special Seminar in Multispectral and Hyperspectral Imaging
      • Sharing the Wealth: Numismatics in a World of Linked Open Data
      • Social Media for Impact
      • Social Media: The risks, the opportunities and what it means for you and me
      • Software Carpentry workshop: Unix shell, git for version control, and programming in R
      • Speaking in Absence: Letters in the Digital Age
      • Spectral Landscapes mixed media event
      • TORCH - What Does it Mean to be Human in the Digital Age?
      • Telling ancient tales to modern machines: representing Sumerian literary narratives as RDF
      • Text Analysis Masterclass: "How do we control what we measure using quantitative text analysis methods?"
      • Textual Editing for students
      • Textual Editing for students
      • The Music of Sound: a sonification symposium
      • The Oxford English Corpus – lexicography and beyond
      • The Science of Woodblock Illustrations
      • Training Workshop—Linked Data for Digital Scholarship: introducing the Semantic Web
      • Trunk to tail: linking ElEPHãTs through the Semantic Web
      • Understanding Impact via Social Media
      • Unlocking Musicology: Narratives through Data
      • Visualising data
      • Visualize Your Data for the Web using D3.js
      • Wellcome Trust Funding Event - Humanities & Social Sciences
      • Wikipedia: Women in Science edit-a-thon
      • Wikipedia: Women in Science image-a-thon
      • Wikipedia: Women in Science improve-a-thon
      • Wikipedia: Women in Science transcribe-a-thon
      • Working with digital text: a hands-on introduction to basic computational techniques (Oxford-only)
      • XML Editing: Basic XML editing with the oXygen XML Editor
      • XPath: Using XPath to search in the oXygen XML Editor
      • XSLT: Transform your XML documents
      • Zegami: Bringing your image collections to life
      • Zegami: Bringing your image collections to life
      • iSkills: Newspapers and other online news sources from the 17th to 21st century
      • iSkills: Online resources for historians
      • ‘The undiscover’d country’: digital special collections, scholarship, scale, and society
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      • DHOxSS 2016
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          • An Introduction to Digital Humanities 2016
          • Analysing Humanities Data 2016
          • Digital Musicology 2016
          • From Text to Tech 2016
          • Humanities Data: a Hands-on Approach 2016
          • Linked Data for Digital Humanities 2016
          • Social Humanities 2016
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          • A Humanities Web of Data 2014
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          • Introduction to DH 2014
          • Practical Scripting 2014
          • Using the TEI
      • DHOxSS 2013
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  1. Home

Departments > --Anthropology

People

Clare Harris

Reader in Visual Anthropology and Curator for Asian Collections: Pitt Rivers Museum

David Zeitlyn

Professor

Projects

Digital Asset Management at the Pitt Rivers Museum

Anthropology, Jeremy Coote - Esmee Fairbairn

Small Blessings: Amulets at the Pitt Rivers Museum

Anthropology, Dr Charlotte Bates - DDF

Events

15 Oct
shutterstock

Mixing it up: Understanding and using mixed methods research in social sciences

This is an accredited online course for researchers interested in mixed methods.
Online

Workshops

26 Sep
data carpentry

Digital Humanities Data Carpentry [2] workshop

Institute of Cognitive and Evolutionary Anthropology (next to Kellogg College on the Banbury Road in the centre of Oxford)
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