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In 2014, the Danish Centre for Music Editing (DCM) published the first ever thematic-bibliographic catalogue of Carl Nielsen's (1865-1931) works.

Speakers: Howard Hotson (Professor of Early Modern Intellectual History, University of Oxford), Andrew Prescott (Professor of Digital Humanities, University of Glasgow), Dave De Roure (Professor of e-Research, Oxford e-Research Centre) and Heather Viles (

Music Information Retrieval (MIR), as an interdisciplinary area of research, has developed rapidly in the last decades.

The AHRC Network Digital Cultural Heritage India will hold a three-day event in the University of Oxford's e-Research Centre 16-18 September.

Join us for the first in our series of Digital Humanities Breakfasts. Come along and enjoy food and fascinating lightning talks from academics and researchers working in the Digital Humanities at Oxford.

Natural languages are highly structured, but they are never perfectly regular. In language contact situations, learners face the challenge of learning inconsistent input.

Robin Dunbar (Professor of Evolutionary Psychology, University of Oxford), Lorna Hughes (Professor in Digital Humanities, University of Glasgow) and Max Saunders (Professor of English and Director of the Centre for Life-Writing Research, Kings College Lon

Encoding music can serve a wide range of purposes and dozens of music codes have been developed.

This seminar reports upon the work of the two 2016 recipients of the Oxford-Illinois Digital Libraries Placement Programme positions which have taken place over the summer in the Oxford e-Research Centre and the Bodleian Libraries.

Sonification is a complementary, but lesser known, technique to visualization.

Semantic Web technologies and Linked Data have the potential to support and complement traditional scholarship in Assyriology.

Ada Lovelace’s notes on music and computation inspired the musical content of the Ada Lovelace Symposium held at the University of Oxford in December, on the 200th anniversary of her birth.

This workshop brings together colleagues who have been responsible for giving AHRC applicants advice on the Technical Appendix with Oxford members of the Technical Reviewers panel.

These introductory briefings are for scholars in the humanities who want to know more about the opportunities to use advanced digital technologies for research.

Compared to visualization, approaching textual analysis through sonification is under-studied.

Aimed at professionals who have expertise and understanding of the CIDOC Conceptual Reference Model (CRM) but who are not necessarily technical in their roles.

The annual Digital Humanities at Oxford (DHOxSS) summer school runs this year from 3rd-7th July at various central Oxford venues, including St. Anne’s College, the Oxford e-Research Centre and IT Services.

This workshop will bring together colleagues with a range of subject and disciplinary interests both to understand the scope of the current knowledge of the music- and text-encoding landscapes and to articulate fields for potential development.

A workshop will take place in Oxford 18-19 April as part of the CLARIN-PLUS project, which aims to reach out to new users to discover requirements for the use of language technologies in a variety of disciplines.

The Semantic Web can be thought of as an extension of the World Wide Web in which sufficient meaning is captured and encoded such that computers can automatically match, retrieve, and link resources across the internet that are related to each other.

The Linked Music Hackathon brings together those with a shared passion for music and the data that describes it: students, coders, researchers from all disciplines, and members of the public; all with an interest in exploring, combining, playing, hacking,

This workshop will explore the ins and outs of running a hackathon with digital data or content.

The celebrations of Ada Lovelace’s 200th birthday demonstrated a larger interest in the intersection of machinery, music, and culture, and pushed existing disciplinary boundaries. The symposium will build on this and we look forward to developing ideas an

The Semantic Web can be thought of as an extension of the World Wide Web in which sufficient meaning is captured and encoded such that computers can automatically match, retrieve, and link resources across the internet that are related to each other.

We are very grateful to Alfie Abdul-Rahman from the Oxford e-Research Centre for offering this workshop. This is a fantastic opportunity to learn how to visualize your data from an expert with many years’ experience in the field.